Saturday 19th October: The Black Feathers, Oliver Daldry, David Booth – Live at the Cottage

The Black feathers

The Black feathers

How do you review a friend? This thought was prominent in my mind before the opening Saturday’s Live at the Cottage. I’ve known David Booth a few years , have sung with him, and now he was  about to open the night’s entertainment. What if he tanked? I had no need to worry. David is one of those annoyingly talented people who can turn their hand to anything. Initially a drummer, he has added singer-songwriter, guitarist, sound engineer, record producer and promoter to his list of achievements and he is damn good at all of them.

David Booth

David Booth

There is no hiding the influence the Finn brothers have had on his songwriting, especially his older songs like the upbeat ‘Find our way back home’ and ‘The left behind’, where his bitterness at seeing childhood friends caught in the trap of pre-programmed expectation of what they can achieve in life is accentuated by the choppy guitar rhythms made popular by Crowded House at their angriest.

Yet he is not afraid to show his more introspective side. Love will win every time was a romantic, thoughtful number enhanced (as in all his songs) by excellent harmonies with Roisin O’Hagan. For me, though, my favourite song was his last , so far untitled, which intertwined impressionistic lyrics of a Suffolk coastal scene with the greater ebb and flow of life itself. It showed how far David has come as a songwriter as he created a sound truly of his own and was probably the closest we  got to see of the David I know in his music.

This guy is going to be huge! That was my first reaction to hearing Oliver Daldry and I haven’t changed my opinion. He is just fantastic. This young singer-songwriter – he’s only 19 – has the world at his feet. He is able to get the the complexity and rhythms of two guitarist from one acoustic guitar whilst at the same time knocking out catchy tune after catchy tune. His music is reminiscent of Vampire Weekend in that he uses similar rhythms to the American band, but he has a touch of Nick Drake to his playing which brings a freshness to the mix.

Daldry’s album, ‘The Boy Who Fell’, is out on iTunes for £2.49 and he is touring small venues around London and the East of England. All I can say is buy the album and go and see him in this type of venue while you still can. He won’t be playing them for long.

The Black Feathers are a duo made up of Ray Hughes on guitar / vocals and Sian Chandler vocals, who is also the main songwriter. Their music combines the British and Irish folk tradition with a transatlantic sound that in some cases wouldn’t be out of place in the Grand Ole Opry. Their songs are all based around their tight, sliding harmonies over a pared down guitar; a sound drifting between alt-country to being more evocative of some of the folk based vocal groups of the counter-culture revolution depending on the song.

They were technically fantastic, incredibly polished and all songs were well constructed and excellently performed. My problem was, it left me cold. No matter how impressed I was with their performance and ability, I just couldn’t get into their music. I think, for me, it was a little too polished. The songs ticked all the boxes in my head, but didn’t hit me in my heart (yes, despite what I’m writing, I do have one). There were times, like in ‘Blind’ and ‘Breaking’ where I felt a hint of the muddiness and rawness I prefer, but as much as I tried, for me it just didn’t click.

BUT (and it is a big but)…

I know I was very much alone in this opinion. Everybody else in Dove Cottage loved it, and for the majority it was the first time they had ever seen the Black Feathers perform. I spoke to a number of people after the gig and every single one was blown away by what they had heard. “Absolutely brilliant”, “those harmonies were stunning” and “fantastic songs and performance” were just a few of the comments I noted. And instead of feeling upset about being out of sync with the rest of the audience, I’m really pleased,  because having met Ray and Sian after the gig I found the two of them to be genuinely lovely people, and I wish them all the success in the world. So please, visit their website, take part in their Kickstarter campaign and help these two find the success they deserve. And when they do make it, I will be the first to offer them my congratulations.

 

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2 thoughts on “Saturday 19th October: The Black Feathers, Oliver Daldry, David Booth – Live at the Cottage

  1. Good review of an excellent gig Saturday evening Dylan. Really enjoyed Dave’s set, good songs definitely enhanced by the excellent harmonies as you say (though I’m probably a wee bit biased:-). Oliver Daldry was technically very good and played a good set but I didn’t quite warm to him. The Black Feathers on the other hand can do no wrong for me at the moment; been following/stalking them for a while now and just love the way they gel on stage. And as you say, two really nice people. Great to see all these artists Live at the Cottage, long may it continue.

    • Hi Barry and thanks for dropping by. As I said in the review, nearly everyone in the venue felt the same way about the Black Feathers as you, which is why I had to include it in the review. In fact this is the first time I’ve ever lost sleep over a blog, as I didn’t want to lie about my reaction but at the same time do an injustice to the band. It is one of the few times in life that I am happy for people to tell me that I’m wrong 🙂

      If you haven’t had a chance to look already, you might be interested in my review of Kal Lavelle plus notable support here!

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